This work takes the form of an old man's diary, where he records his struggle with his self-image, and the manifestations of age, and his growing desire for his beautiful Westernized daughter-in-law. Between them, the two characters embody Japan, past and present.

Diets don't work. Why not? Because they focus on what foods we should and shouldn't eat but completely ignore everything else that makes us fat. Look at your own situation: You say you want to lose weight, but you just can't stop indulging. You say you'd exercise more if only you had the time, yet you spend precious hours every night in front of the TV doing what? Munching nutr...(展开全部)

In much the same way that a cluttered home can stop you from living your best life, it can also sabotage your best efforts at controlling your weight. Most people who diet don't just go on one diet and succeed; they go on three or five or ten. And for most people, the diets fail because most diets are only about losing weight - they don't drill down into why you are carrying th...(展开全部)

这是一篇记录在一个又一个日记中的故事，在经过整理，重新书写，才有了现在样子。【阅读指南】文笔有限，请见谅。有存稿，但更新不定时。1v1感情线，不会出现与其他王子互动。时间线以国一为开始，会有严重ooc，主线剧情最多只走到全高大赛结束。不是不会写，是不想写比赛剧情，只会专注写二人感情线。为了剧情需要，私设偏多，以上介意者出门左转。

“CAN YOU FEEL THIS?” Chuck Palahniuk, the bestselling author of Fight Club , Choke , and Lullaby continues his twenty-first-century reinvention of the horror novel in this scary and profound look at our quest for some sort of immortality. Diary takes the form of a “coma diary” kept by one Misty Tracy Wilmot as her husband lies senseless in a hospital after a suicide a...(展开全部)

“CAN YOU FEEL THIS?” Chuck Palahniuk, the bestselling author of Fight Club , Choke , and Lullaby continues his twenty-first-century reinvention of the horror novel in this scary and profound look at our quest for some sort of immortality. Diary takes the form of a “coma diary” kept by one Misty Tracy Wilmot as her husband lies senseless in a hospital after a suicide a...(展开全部)

Just before the outbreak of World War II, young Witold Gombrowicz left his home in Poland and set sail for South America. In 1953, still living as an expatriate in Argentina, he began his Diary with one of literature's most memorable openings: "Monday Me. Tuesday Me. Wednesday Me. Thursday Me." Gombrowicz's Diary grew to become a vast collection of essays, short notes, polemics...(展开全部)

Roberto Arlt (1900-1942), celebrated in Argentina for his tragicomic, punch-in-the-jaw writing during the 1920s and 1930s, was a forerunner of Latin American "boom" and "postboom" novelists such as Gabriel Garcia Marquez and Isabel Allende. "Mad Toy", Arlt's most acclaimed novel, is set against the chaotic background of Buenos Aires in the early twentieth century. Set in the ba...(展开全部)

Roberto Arlt (1900-1942), celebrated in Argentina for his tragicomic, punch-in-the-jaw writing during the 1920s and 1930s, was a forerunner of Latin American 'boom' and 'postboom' novelists such as Gabriel Garcia Marquez and Isabel Allende. "Mad Toy", Arlt's most acclaimed novel, is set against the chaotic background of Buenos Aires in the early twentieth century. Set in the ba...(展开全部)